Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schenker, Heinrich | Der Tonwille. 10 issues. Vienna: A. Gutmann; Leipzig: F. Hofmeister, 1921-1924. |
|
| | 1921-24 |
|
|
| 2. | Schenker, Heinrich | Fünf Urlinie-Tafeln. Five analyses in sketchform. [Bach, Choral BWV 244/10, Prelude BWV 846/1; Haydn, Sonate Hob.XVI/49 (partly); Chopin Ëtudes op.10-8,12]; with an introduction in German and English. - New York: David Mannes Music School, 1932. - Wien, Universal-Ed. (overstamped), [1932/33]. [Enth. u.a.: Choral 'Ich bin's, ich sollte büßen' (Matthäuspassion), Wohltemperiertes Klavier I, Präludium I C-Dur] [BWV 244/10, 846/1] |
|
| | 1932 |
|
|
| 3. | Schenker, Heinrich (ed.) | Klavierwerke von Philipp Emanuel Bach. Neue krit. Ausg. von Heinrich Schenker. [Vorwort 1902] - Wien: Universal-Ed. [1903] 103p. Best.-Nr. Universal Edition 548. Pl.-Nr. U.E. 548. [Wq 55/1; 56/2; 55/5; 57/2; 55/4; 57/4; 55/2; 57/6; 55/6; 55/3; 58/4; 59/3; 59/2] |
|
| | 1903 |
103p |
|
| 4. | Schenker, Heinrich | Neue musikalische Theorien und Phantasien III: Der freie Satz. Anhang: Figurentafeln. Hrsg. und bearb. von Oswald Jonas. - Wien [u.a.]: Universal-Ed., c 1956. 119p. |
|
| | 1956 |
119p |
|
| 5. | Schenker, Heinrich | Ein Beitrag zur Ornamentik. Als Einführung zu Ph. Em. Bachs Klavierwerken, mitumfassend auch die Ornamentik Haydns, Mozarts, Beethovens etc. Wien: Universal Edition 1903. 43p. (= Universal-Edition, 812); Neue revidierte und vermehrte Auflage. - Wien: Universal-Edition; Leipzig: Hofmeister, 1908.72p. |
|
| | 1903 |
43p |
|
| 6. | Busoni, Ferruccio; Schenker, Heinrich (ed.) | Chromatische Fantasie und Fuge / J. S. Bach. Interpretirt von Ferruccio Busoni. Kritische Ausgabe mit Anhang von Heinrich Schenker. - Wien: Universal-Edition, [1910] 50p. Pl.-Nr.: U.E. 2540. (= Universal-Edition, No. 2540) |
|
| | 1910 |
50p |
|
| 7. | Schenker, Heinrich | Five graphic music analyses. with a new introduction and glossary by Felix Salzer. Compositions of J. S. Bach [BWV 244/10, 846/1], J. Haydn, F. Chopin. - 2. rev. ed.; New York: Dover, 1969. 61p. ISBN: 0486222942. |
|
| | 1969 |
64p |
|
| 8. | Schenker, Heinrich | J. S. Bach's chromatic fantasy and fugue. Critical Edition with commentary. Translated and Edited by Hedi Siegel. N.Y.; London: Longman, 1984. xii, 103, 17p. |
|
| | 1984 |
xii, 103, 17p |
|
| 9. | Schenker, Heinrich | Harmonielehre. Stuttgart 1906; Fotomechan. Nachdr. der Ausg. von 1906. Wien: Universal Ed., 1978. xvi, 460p |
|
| | 1906 |
xvi, 460p |
|
| 10. | Schenker, Heinrich | Harmony. Edited and annotated by Oswald Jonas. Translated by Elisabeth Mann Borgese. - Chicago and London: University of Chicago Press, 1954. xxxii, 359p. |
|
| | 1954 |
xxxii, 359p |
|
| 11. | Schenker, Heinrich; Siegel, Hedi | The organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
31-54 |
|
| 12. | Schenker, Heinrich | The sarabande of Bach's suite no 3. for solo violoncello [BWV 1009]. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
55-58 |
|
| 13. | Rothgeb, John; Schenker, Heinrich | A counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
106-117 |
|
| 14. | Schenker, Heinrich | The masterwork in music: A yearbook. II (1926). Edited by William Drabkin; translated by Ian Bent ... [et al.]. Cambridge: Cambridge University Press, 1996. xvii, 133p. ISBN: 0-521-45542-1. (= Cambridge studies in music theory and analysis, 8) |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
xvii, 133p |
|
| 15. | Schenker, Heinrich | Die Kunst der Improvisation. Repr. from in Das Meisterwerk in der Musik, vol. I (Munich: Drei Masken, 1925), pp. 11-40, translated by Richard Kramer as 'The Art of Improvisation' in William Drabkin (ed.), The Masterwork in Music, Cambridge: Cambridge University Press, pp. 2-13. |
[ce]Late18cComposers_CPEB |
| | 2015 |
389-412 |
|
| 16. | Schenker, Heinrich | Joh. Seb. Bach: Wohltemperiertes Klavier, Band I, Präludium c-moll. |
DieMusik |
15 | 9 | Jun 1923 |
641-651 |
Bd.58 |
| 17. | Schenker, Heinrich | C.P.E. Bach: Kurze und leichte Klavierstücke mit veränderten Reprisen (1766), no. 1, allegro. Translated by Steve Larson. |
InTheoryOnly |
10 | 4 | Dec 1987 |
5-10 |
|
| 18. | Schenker, Heinrich | Das Organische der Fuge. |
MeisterwerkMJb |
2 | | 1926 |
57-95 |
|
| 19. | Schenker, Heinrich | The sarabande of J. S. Bach's suite no. 3 for unaccompanied violoncello (BWV 1009). English trans. by Hedi Siegel. |
MusicForum |
2 | | 1970 |
274-282 |
|
| 20. | Schenker, Heinrich | The Largo of J. S. Bach's Sonata No.3 for unaccompanied Violin. Trans. by John Ratgeb. [BWV 1005] |
MusicForum |
4 | | 1976 |
141-159 |
|